As such, it seemed to some critics like a “ libertarian parable.” In Incredibles 2, the Parrs lobby to return to the public eye, and Bird slyly flips the original movie’s themes around, weighing the heroes’ inherent value to civilization against the risk they could abuse their powers. The Incredibles focused on the constraints placed on its super-powered family unit, forced to live in secrecy after costumed heroes are outlawed, while the movie’s villain was an inventor with a vendetta against those who naturally possessed such gifts. But with both 2004’s The Incredibles and its long-awaited sequel, he has certainly made art that interrogates the role of elites in American culture. As he has before, Bird takes frothy genre material and digs into its richer themes, reaching conclusions about the state of society that have, in the past, been criticized as b latantly elitist.īird has long rejected this interpretation of his work. Delivered with a melancholy shrug, it’s an unusually charged line for a children’s film, and the first real sign that the writer and director, Brad Bird, isn’t afraid to explore some thorny ideas in his latest blockbuster. That makes them nervous,” Rick Dicker, the rheumy-eyed secret agent assigned to the world of superheroes, tells the Parr family as they go into hiding at the start of Incredibles 2. “Politicians don’t understand people who do good things. This article contains major spoilers for the plot of Incredibles 2.
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